Sara Masnikosabijenale mladih 2021.

In her work, Sara Masnikosa uses spatial objects that show different types of social engagement in the content of the topic. These spaces, mapped through the dimension of the box, represent the stage of a certain human function. Born on July 31, 1995 in Subotica. She graduated from the Gymnasium in Paraćin in 2014 and enrolled in the Academy of Arts in Novi Sad, majoring in painting. He will finish his undergraduate studies in 2020 in the class of Professor Goran Despotovski, with an average grade of 9.96. He is currently a master's student of academic studies in painting, also at the Academy of Arts in Novi Sad. He has been exhibiting regularly since 2015. So far, she has exhibited in seven solo exhibitions and numerous collective ones. She is also a participant in numerous projects, workshops and art colonies. She is the winner of the Dositej Scholarship 2019/20, the annual award of the Department of Fine Arts of the Academy of Arts in Novi Sad for the most successful artistic work in the art discipline PAINTING (2020) and the Little Prince Foundation Award for top results in art (2021).

Rad se osvrće na jedan bitan i nezanemarljiv osećaj – preplavljenost stvarnošću. Ne radi se o izlasku iz zone komfora, već o momentu koji nas vraća u nju. Kao momenat kada tonemo u san, osećaj bezbrižnosti sa tonom lirskog karaktera. Svi ga imamo i svi ga želimo, u iscrpljenoj racionalnosti on je vrhunac našeg ostvarenja. Duboko u tom osećaju, duboko u sopstvenoj zoni komfora, nalaze se figure u svojim malim staklenim kutijicama. Stisnute su u ekstremno malom, ali njihovom bezbednom prostoru. Čitavu kompoziciju predstavlja veliki akvarijum napunjen vodom. U akvarijumu se nalaze staklene kutijice koje se blago njišu, koristeći energiju motora; u svakoj kutiji po jedna figura. Sve je transparentno, imamo uvid u njihovu kolektivnu usnulost. Sve ove individue mirno su prepuštene i za njih se ništa ne menja. Njihova kutija je sigurna zona, sa dovoljno zraka. One su mirni svedoci ovog stanja i jedini za koje se ono nikada neće promeniti. Pošto ono predstavlja odsustvo racionalnog, svaka individua će težiti izlasku iz ove situacije i načinu da se vrati do svog racionalnog.

I can say that my work is imbued with relations and functions in the relation man - object - crowd - packing. Their content refers to different types of social engagement, and the work space itself is often covered by the box dimension.