RASPRIČAVANJE & STUDENTI U BLOKADI
Edukativni program BIJENALA MLADIH u saradnji sa STUDENTIMA U BLOKADI
(scrool down for english
Predavanje na temu: INSTITUCIONALNA TEORIJA UMETNOSTI, INSTITUCIONALNA KRITIKA I NOVI INSTITUCIONALIZAM
Predavač: Stevan Vuković
Datum: Utorak, 18.januar 2025.
Vreme: 19 časova
Lokacija: Amfiteatar Filozofskog fakulteta u Beogradu
Bijenale mladih i Studenti u blokadi vas sa zadovoljstvom pozivaju na poseban edukativni program koji otvara važan dijalog o institucionalnim strukturama kroz prizmu umetnosti i društvenog angažmana. Program će se održati uživo na Filozofskom fakultetu u Beogradu, stvarajući prostor za kritičko promišljanje i podršku aktuelnim studentskim zalaganjima za sistemske promene.
Polazna pozicija ovog predavanja preuzeta je iz knjige američkog analitičkog filozofa Noela Karola, iz 1999, pod nazivom "Filozofija umetnosti: Savremeni uvod". U toj knjizi se institucionalna teorija umetnosti postavlja kao naziv za jedan od šest tipova opštih teorija, kojima su manje-više sve druge, partikularnije, obuhvaćene, i međusobno upoređene. To su, pored institucionalne, i teorija umetnosti kao predstavljanja, izražavanja, stvaranja forme i pružanja estetskog iskustva. Nakon uvođenja u tipologiju teorija umetnosti, uz prikaz tipičnih umetničkih dela koja ih oličavaju i argumente za i protiv njihove primene na aktuelnu umetničku produkciju, institucionalna teorija umetnosti će biti sučeljena sa umetničkom praksom nazvanom institucionalna kritika’. Nju je umetnica i teoretičarka umetnosti Andrea Frejzer odredila kao vrstu umetnosti koja deluje ”kritički refleksivnom prostornom specifičnošću rada”, i pružila je njenu genealogiju tokom dvadesetog veka, od istorijskih avangardi do neo i post avangardi, kao i objašnjenje procesa njihovih institucionalizacija. Potom će biti pokazano i kako je početkom ovog veka došlo i do razvoja praksi reflektivnog preformatiranja kritički orjentisanih institucija umetnosti, uglavnom na zapadu i severu evropskog kontinenta, koju je Nina Montman, koja je i sama bila protagonistkinja tog procesa, nazvala “novim institucionalizmom”. Naime, kroz procese samokritike, tokom razvoja ‘novog institucionalizma’, pokrenute uglavnom od strane nekada slobodnih kustosa koji su postali direktori relevantnih muzeja, institucionalni profili su počeli da se menjaju, tako da su muzeji težili da u svojoj strukturi sadrže i po neki “’aktivni prostor’, koji je delimično ‘društveni centar’, delimično laboratorija, a delimimično akademija”, u kome se ne izlažu radovi, već izvode kustoski i umetnički eksperimenti.
O predavaču:
STEVAN VUKOVIĆ je po vokaciji kustos, istoričar i teoretičar umetnosti. Diplomirao je filozofiju na Filozofskom fakultetu Univerziteta u Beogradu, i pohađao doktorske studije na istom odeljenju, kao i postdiplomske studije teorije umetnosti u na Jan van Eyck Aakademie u Mastrihtu i studije umetnosti u javnom prostoru na Bahaus Dessau. Trenutno je u završnoj fazi doktorata iz Istorije umetnosti na katedri za modernu umetnost, na Filozofskom fakultetu Univerziteta u Beogradu. Objavljuje tekstove o savremenoj likovnoj umetnosti, teoriji i filozofiji umetnosti u kontinuitetu od 1992. Bio je višegodišnji saradnik mnogih časopisa, kao što su Projekat (Novi Sad), Nenj Moment (Beograd), Monitor (Podgorica), Košava (Vršac), Contemporary (London), Spike (Beč), Springerin (Beč) Umjelec (Prag), Zarez (Zagreb), kao i dnevnog lista Politka (kulturni dodatak). Objavio je tekstove i u časopisu Documenta 12 (2007), Manifesta Journal 4 (2005), On Curating 16 (2013). Član je Nezavisnog udruženja novinara Srbije, lokalne sekcije međunarodnog udruženja novinara (IFJ) i likovnih kritičara (AICA), od 2003. godine. Dobitnik je nagrade Lazar Trifunović, za najbolji tekst o umetnosti u Srbiji 1998. Od 1996. radi kao samostalni kustos, a vodio je galerijske programe u galeriji Remont, O3ONE i SKC Beograd. Dobitnik je nagrade Društva istoričara umetnosti za najbolju izložbu u Srbiji 2002. godine (za izložbu u Muzeju savremene umetnosti u Beogradu, koju je osmislio i realizovao sa Zoranom Erićem). Zaposlen je kao urednik Filmforuma u SKC Beograd.
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AFTERTALKS & STUDENTS IN BLOCKADE
Educational Program of the Youth Biennial in a cooperation with Students in Blockage
Lecture Topic: INSTITUTIONAL THEORY OF ART, INSTITUTIONAL CRITIQUE AND NEW INSTITUTIONALISM
Lecturer: Stevan Vuković
Date: Tuesday, January 18, 2025
Time: 7 p.m.
Location: The Amphitheater of the Faculty of Philosophy in Belgrade
The Youth Biennial and Students in Blockade are pleased to invite you to a special educational program that opens an important dialogue about institutional structures through the lens of art and social engagement. The program will be held live at the Faculty of Philosophy in Belgrade, creating a space for critical reflection and support for current student efforts toward systemic change.
The starting position of this lecture is taken from the 1999 book by American analytical philosopher Noel Carroll, titled "Philosophy of Art: A Contemporary Introduction". In this book, the institutional theory of art is established as one of six types of general theories, which more or less encompass all other, more particular ones, and are compared to each other. These include, besides institutional theory, theories of art as representation, expression, form creation, and provision of aesthetic experience. After introducing the typology of art theories, along with examples of typical artworks that embody them and arguments for and against their application to current artistic production, institutional theory of art will be confronted with the artistic practice called 'institutional critique'. Artist and art theorist Andrea Fraser defined this as a type of art that operates through "critically reflexive site-specificity of work," and provided its genealogy throughout the twentieth century, from historical avant-gardes to neo and post-avant-gardes, as well as an explanation of their institutionalization processes. Then, it will be shown how the beginning of this century saw the development of practices of reflexive reformatting of critically oriented art institutions, mainly in the west and north of the European continent, which Nina Montmann, who was herself a protagonist of this process, called "new institutionalism". Namely, through processes of self-criticism during the development of 'new institutionalism', initiated mainly by formerly independent curators who became directors of relevant museums, institutional profiles began to change, so that museums strived to include in their structure some kind of "active space" that is partly a "social center", partly a laboratory, and partly an academy, where works are not exhibited but rather curatorial and artistic experiments are performed.
About the lecturer:
Stevan Vuković is by vocation a curator, art historian and theorist. He graduated in philosophy from the Faculty of Philosophy, University of Belgrade, and attended doctoral studies at the same department, as well as postgraduate studies in art theory at the Jan van Eyck Academy in Maastricht and studies in public space art at Bauhaus Dessau. He is currently in the final phase of his doctorate in Art History at the Department of Modern Art, Faculty of Philosophy, University of Belgrade. He has been publishing texts on contemporary visual art, theory and philosophy of art continuously since 1992. He was a long-time contributor to many magazines, such as Projekat (Novi Sad), New Moment (Belgrade), Monitor (Podgorica), Košava (Vršac), Contemporary (London), Spike (Vienna), Springerin (Vienna), Umjelec (Prague), Zarez (Zagreb), as well as the daily newspaper Politika (cultural supplement). He has also published texts in Documenta 12 magazine (2007), Manifesta Journal 4 (2005), On Curating 16 (2013). He has been a member of the Independent Journalists' Association of Serbia, local section of the International Federation of Journalists (IFJ), and art critics (AICA) since 2003. He won the Lazar Trifunović award for the best art text in Serbia in 1998. Since 1996, he has worked as an independent curator and has led gallery programs at Remont Gallery, O3ONE and SKC Belgrade. He won the Art Historians Society award for the best exhibition in Serbia in 2002 (for an exhibition at the Museum of Contemporary Art in Belgrade, which he conceived and realized with Zoran Erić). He is employed as the editor of Filmforum at SKC Belgrade.
