With her performance, Bojana Branković connects with history, religion, tradition, and through discomfort in the physical body, she consumes the past, giving it a personal context and interpretation. Each element has its well-founded and defined reasons that came to it at the time of performance, all planned and unplanned moves are one personal confession. The artist invites us into her intimate space, allowing us to join that confession. Service or performance, dialogue or monologue, that choice of interpretation is what is an integral part of this work of art. The biblical context is also manifested through six performers, they are Vojislav Pavlović, David Soda, Dejan Bosković, Konstantin Ničovski, Nemanja Dabizljević, Yao Wang. God created man on the sixth day, and also the number six is a symbol of mystical destiny, the number of the beast, and the devil's symbol. The white, clean, sterile, and cool space visually corresponds to the very content of the performance. The whole mise-en-scène is conceived as the ultimate contrast, kneeling on marble, Bojana contrasts the space, creating a relationship: clean - dirty, white - red, quiet - expressive, white - black, man-woman, individual - group. The sensibility of this work of art is further emphasized by the artist's age - 33 where she tries to demystify her current level of maturity but also celebrates her life path where she finally contemplatively lets go of her past by accepting identity and celebrating what is created and revealed.